Kallum Douglas

Download Now Server 1 Download Now Server 2 Download Now Server 3 Zerno is a glyphic typeface with geometric roots. Its symmetrical flared serifs are reminiscent of stone carving techniques. With weights ranging from Thin to Black, it is versatile enough to be used in any environment - from screen to literal stone carving, as well as from posters to body copy that stands out. Zerno Zerno

Download Now Server 1 Download Now Server 2 Download Now Server 3 Accia Flare is an elegant glyphic typeface with large x-height and low contrast. Its subtle curviness will create a tender but notable image in packaging applications. The font family contains 8 weights from Thin to Extra Bold, with matching true italics. It supports extensive language support including Cyrillic, as well as numerous OpenType features such as small caps, ligatures, several sets of figures, case-sensitive punctuation, ordinals. Accia Flare is a member of Accia Type System. It encompasses five typefaces ranging from sans-serif to expressive serif, giving you the possibility to create sophisticated cohesive designs. Accia Type system consists of Accia Sans, Accia Flare , Accia Piano, Accia Moderano, and Accia Forte. Accia Flare Accia Flare

Download Now Server 1 Download Now Server 2 Download Now Server 3 Bugleboy began as a digitization of a film typeface from LetterGraphics in the early 70's known as "Wood Grotesk". The original specimen included standard Capitals, Lowercase, Numerals and minimal Punctuation...truly a bare bones character set, previous only available on film and only in an upright stance. This typestyle was begging to be revived and messed with, so we decided to add heavy swash alternates for the Capitals, and Stylistic Alternates to allow for a Unicase look. But while the slight serif styling on the top left of many forms wasn't obtrusive, we decided to chop them off and fashion up a "Sans" version of the font as well. While the Sans style doesn't have Swashes, it does still have Stylistic Alternate Unicase forms. Then to round it all out nicely, we thought the regular (serif) style could use an italic, and the sans style could use an oblique. We've fleshed out the